maxwell til the cops come knockin

But more important, he can flat-out sing. Gonna take you in the room, sugar [3] On Maxwell's emergence with Urban Hang Suite, writer Carol Brennan cited him, along with the Fugees, D'Angelo and Tony Rich, as neo soul musicians that "exhibited the identifying characteristics of this new breed of R&B artists: lyrics that give voice to intense personal expression, creative control over the music, and a unexpectedly successful debut. [41] It was called a "masterpiece" by several reviewers who viewed it as a departure from the mainstream, hip hop-oriented R&B of the time. [15] The songs "Whenever Wherever Whatever" and "Lonely's the Only Company (I & II)" are ballads that contain themes of vulnerability to love. I wanted people to come to the music and not base any opinion on the image". If it's alright, ooh [21] Rolling Stone editor David Fricke compared the album's concept to that of Marvin Gaye's 1978 record Here, My Dear, which dealt with his divorce, saying that Maxwell's Urban Hang Suite had been reworked as a treatise on monogamy. [22] The album's liner notes have a dedication from Maxwell to his "musze", stating "I could never have done this without you". [2], Maxwell's following studio albums were received less enthusiastically by critics, who were more critical of his songwriting on his next two studio albums, Embrya (1998) and Now (2001). There won't be no There won't be no [20] It was shelved for nearly a year,[19] because of issues with Columbia's management, the label's extensive reorganization, and record executives' doubts regarding the album's commercial potential. [Chorus] [53] In commenting on the "new soul revival" in music, Maxwell told Entertainment Weekly in 1997 that "everything out there musically was inspired or influenced by something from the past. / Was it enough to penetrate your dark world? Maxwell - ...Til The Cops Come Knockin` Lyrics. [54][55] However, in contrast to D'Angelo, Maxwell was more conventional in his approach on his debut album. Editors’ Notes Maxwell was only 23 when his debut was released in 1996, and it’s hard to overestimate the courage and maturity it took to create an album like Urban Hang Suite at that time. [15] Roni Sarig wrote that their "early '80s full-band R&B and jazz pop grooves are reminiscent of Maze's brightest days and Steely Dan's coolest nights. [20] Maxwell has described the themes and his thoughts on romance as "idealistic" on Urban Hang Suite. Discover releases, reviews, credits, songs, and more about Maxwell - Til The Cops Come Knockin' at Discogs. Gonna take you in the room, sugar Or were you embarrassed about the way you freaked? [7], Although one of his earliest influences was early 1980s urban R&B,[1] Maxwell's Urban Hang Suite was inspired by the sounds and themes of classic soul artists such as Marvin Gaye, Curtis Mayfield, Barry White, Stevie Wonder and Prince . We're gonna be rockin', baby Maxwell ‎– Til The Cops Come Knockin' Label: Columbia ‎– COL 663179 2 Format: CD, Single Country: UK Released: 1996 Genre: Funk / Soul. [25], Cited by Blender magazine as one of the "Greatest Make-Out Songs of All Time", "...Til the Cops Come Knockin'" contains sexually explicit lyrics and a slower tempo than its preceding tracks. [4][14] The tempo of the songs slowly diminishes through the course of the album's songs. [44] It was named the 20th best album of 1996 in the Pazz and Jop, an annual poll of American critics nationwide, published by The Village Voice. [53] According to Shapiro, the term itself refers to a musical style that obtains its influence from more classical styles, and bohemian musicians seeking a soul revival, while setting themselves apart from the more contemporary sounds of their mainstream R&B counterparts. Didn't you dig the way I rubbed yo back girl. Papa gonna have to leave [1] Prior to working with Maxwell, Ware and Ragin were collaborators of soul musician Marvin Gaye;[1] Ware had produced and composed most of Gaye's tenth album I Want You (1976). Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. [12] Critics have also noted Maxwell's falsetto singing voice,[13] and the music's atmospheric, funky instrumentation, featuring mellow horns, wah wah guitar, Rhodes piano and deep, articulate bass lines. (Let me rock you, baby; let me love you, baby, let me do it, darlin') Six on a Thursday night and you be jonesin', baby [2], Writing for Vibe, OJ Lima said the record was a "refreshing detour from hump-bouncin' '90s R&B",[16] while Dimitri Ehrlich from Entertainment Weekly wrote that Maxwell "smooths hip-hop's and soul's edges, proving that black dance music doesn't automatically mean ghetto culture. View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin on Discogs. The unexpected commercial and critical success of Maxwell's Urban Hang Suite helped establish Maxwell as a serious performer in the music industry. [2] Maxwell made matters worse by refusing to allow his picture to be placed on the album's front cover; instead he preferred to have the track listing and other information he felt was more important about the album in place of his photo. Band and Rose Royce, Maxwell began to teach himself to play a variety of instruments. We're gonna be (Please let me rock you, baby) ('Til the cops come, 'til the police come knockin') The resulting music features a mellow, groove-based sound with elements of funk, jazz, smooth soul, and quiet storm. [3] Maxwell told Interview's Dimitri Erhlich that his main muse for Urban Hang Suite was women, and further elaborated on his inspiration, stating: I think creativity is innately feminine. We're gonna be rockin', baby [2] They assigned Chicago-based, English producer and multi-instrumentalist Stuart Matthewman to the project, but he only produced the first few tracks. There won't be no stoppin' me Style: Soul, Neo Soul. [4] While the length of the track is listed as 13:47 minutes,[8] the song ends after 6:00 minutes, followed by a period of silence, before resuming with a hidden track,[4] which consists of 1:41 minutes of an instrumental version of "...Til the Cops Come Knockin'". A message on the telephone, baby 'Til the cops come knockin' Gonna take you in the room, sugar [9] Maxwell's Urban Hang Suite closes with the instrumental track "The Suite Theme". [19] Over the course of the album, Maxwell details a single passionate encounter. 0 Tags. View credits, reviews, tracks and shop for the 1996 Vinyl release of Til The Cops Come Knockin' (The Opus) on Discogs. ...Til The Cops Come Knockin’ Lyrics: Didn't you dig the way I rubbed your back, girl? [2] After earning a considerable reputation, Maxwell signed a recording contract with Columbia Records in 1994. Or were you embarrassed about the way you freaked? [Pre-Chorus] "[40] Peter Shapiro was more critical, panning Maxwell's lyrics and calling the album an "overly mannered pastiche of early 70s soul ... all style and no substance". Audiophile Journeys with a PC: Subjective Listening - Arrrgh! If it's alright, ooh [56], Maxwell's role in writing and producing the album exhibited a level of artistic control by an R&B artist that was uncommon in the recording industry at the time. Lock you up and love for days [1][22] Maxwell said in an interview, "I'm so innately romantic and always have been, and I went through this particular romantic experience and based my album on that". [6], Production assistance and instrumentation from such veteran session musicians contributed significantly to Urban Hang Suite's vintage overtones and classic R&B influences. Was it enough to penetrate you dark world? [16] "Welcome" features the album's prominent sexual vibe, and contains a quiet storm sound and saxophone. [4] The two opening tracks both contain prominent funk influence. A message on the telephone, baby Or were you embarrassed about the way you freaked? 'Til the cops come knockin' Lock you up and love for days With Maxwell. 'Til the cops come knockin' We're gonna be Listen to Til The Cops Come Knockin' by Maxwell, 88,432 Shazams, featuring on ’90s R&B Essentials, and Neo-Soul Essentials Apple Music playlists. [2] The demo engendered interest, and his official debut concert performance at Manhattan nightclub Nell's drew a crowd. Maxwell's Urban Hang Suite is the debut album by American R&B singer-songwriter Maxwell. "What He Does Want Is to Make Beautiful Music". Wasn't it cool when I first kissed yo lips? Lock you up and love for days Lock you up and love for days 'Til the cops come knockin' [8][9][10] According to Prince biographer Alex Hahn, Maxwell adopts the singer's sound and style, particularly from songs such as "Do Me, Baby" (1982) and "Pink Cashmere" (1993),[11] while The New York Times's Amy Linden said that he "melds a soft-spoken singing style with the fluid, spacious grooves often associated with the cocktail funk of Sade". Was it enough to penetrate yo dark world. Wasn't it cool when first I kissed yo lips? 'Til the cops come knockin' Gonna take you in the room suga' Lock you up and love for days We're gonna be rockin' baby 'Til the cops come knockin' Papa gonna have to leave A message on the telephone baby There won't be no 'Til the cops come knockin' Please you, tease you, eat you Make you feel so good (Make you feel so good inside) [32], Maxwell's Urban Hang Suite received positive reviews from critics. The only way I can pay homage to that feminine thing--not necessarily women but to what they represent as creative forces--is by getting artistic and making music. Wasn't it cool when first I kissed your lips? 'Til the cops come knockin' Papa gonna have to leave [5], The album opens with an instrumental track, "The Urban Theme", which begins with the sound of a stylus dropping on a vinyl record. Didn't you dig the way I rubbed yo back girl? [50] The album was also included in the book 1001 Albums You Must Hear Before You Die. If it doesn't lend itself to your history, how is it going to extend to your future? Columnist. [15] One critic attributes the tempo decrease to Stuart Matthewman's production. [2] The album's front cover art also features a picture of a pair of golden women's shoes on the floor of a hotel room, with the bar coding prominently displayed. [28], In the period before its release, Maxwell wrote and demoed songs for a subsequent studio album, and embarked on an African American college tour with Groove Theory and the Fugees. It was also a success with critics, who praised it as a departure from the mainstream, hip hop-oriented R&B of the time, while earning Maxwell several accolades and comparisons to soul singers of the past, particularly Marvin Gaye and Prince. [30] By 1997, the album had shipped one million copies, earning platinum status from the RIAA. [10] Nick Coleman from The Independent later cited Maxwell's Urban Hang Suite as the "sexiest record of 1996",[49] while Q magazine called it "one of the very best R&B records of the '90s. Maxwell's Urban Hang Suite was not an immediate commercial success, but it was helped by the release of its second single "Ascension (Don't Ever Wonder)" in July 1996, and the album eventually became a million-seller. [41] In The Village Voice, Robert Christgau jokingly accused Maxwell of "expiring of Afrocentric texturitis",[45] while rating the album a "dud",[46] which indicated "a bad record whose details rarely merit further thought". Although one of his earliest influences was early 1980s urban R&B, Maxwell's Urban Hang Suite was inspired by the sounds and themes of classic soul artists such as Marvin Gaye, Curtis Mayfield, Barry White, Stevie Wonder and Prince . "[13] Jim Farber of the New York Daily News called it "one of the few modern sex albums to offer a sense of succor",[42] and Urban Latino hailed it as "one of the most soulful releases of the year", writing that Maxwell exhibited "the soul of Curtis Mayfield, the poetics of Beni More and the stage presence of Michael Jackson, pre-Thriller". Till The Cops Come Knockin' Lyrics. [7] They also composed three of the album's eleven tracks together. Well, I wanna hold you, I wanna know you baby, if it's alright [Verse 2] 'Til the cops come knockin' [2] He was able to gain access to a 24 track recording studio and started to record songs for a demo tape, which he circulated among his friends. Was it enough to penetrate you dark world? [47], At the end of 1996, Maxwell's Urban Hang Suite named one of the year's 10 best albums in lists published by Rolling Stone, Time, and USA Today. [3] According to him, the R&B of the early 1980s contained "the perfect combination of computerized instrumentation with a live feel", and that the genre's dynamics later became lost due to the influence of hip hop on R&B. Complete your Maxwell collection. The music video begins with Maxwell lying dace down on a stripped floor. [8], Credits for Maxwell's Urban Hang Suite adapted from liner notes. Eat you Was it enough to penetrate your dark world? [2] Music journalists inferred that the album was inspired by or based on an unsuccessful affair in Maxwell's life. Gimme a call, it's cool, the M's all open Last lover came and went [19] The track's prominent funk sound is reminiscent of the music of the Brand New Heavies. [57] In Songs in the Key of Black Life: A Rhythm and Blues Nation (2003), writer Mark Anthony Neal cited the album as one of the most popular of neo soul recordings, along with Musiq Soulchild's Aijuswanaseing (2000) and India.Arie's Acoustic Soul (2001), that helped to redefine the boundaries and contours of black pop and R&B.[58]. Didn't you dig the way I rubbed your back, girl? , Maxwell 's Urban Hang Suite closes with the instrumental track `` the Suite Theme.! At number six on their list of the Top Ten Albums from 1996 that year Rolling! Reminiscent of the 1960s and 1970s the 1996 CD release of Til the Come., credits for Maxwell 's Urban Hang Suite covered by gospel artists such as Londa Larmond and LaShun.. Guess being a man is a truly physical state and mentally it 's not about creating some New... Grinding porn-movie '' guitar licks releases, reviews, tracks and shop the. A mellow, groove-based sound with elements of funk, jazz, smooth soul and. 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